Gideon serves as the big bad this year but is essentially a replacement for Dodge which happens to be a more physically imposing presence. Nothing could possibly spoil that, right?Įnter Kevin Durand as the demonically possessed Revolutionary War soldier Frederick Gideon seen in flashbacks during the second season.
All seems well in the world with Dodge gone and Duncan’s (Aaron Ashmore) upcoming wedding. As this season opens, Tyler has left Keyhouse to try and reconcile his feelings after the death of Jackie (Genevieve Kang), leaving Kinsey (Emilia Jones) and Bode (Jackson Robert Scott) to go about their lives with Nina and the knowledge that there are more keys out there. The third season of Locke & Key picks up two months after the end of the previous season brought about the end of the demonic Dodge (Laysla De Oliveira/Griffin Gluck), restored the memory of magic for Nina (Darby Stanchfield), and bade farewell to multiple other characters. Interestingly, the third and final season of Locke & Key manages to be the most entertaining of the three primarily because it deviates the most from the source material to tell a concluding chapter far different than how the comic ended and delivers a solid conclusion to this version of the story. Alas, while the series embodied the magic at the core of the story, it favored a coming-of-age fantasy approach and all but abandoned the violence and horror that were intrinsic to the comic. When Netflix’s series was announced, I was very excited to see how Carlton Cuse would lead the adaptation. I am a huge fan of the comic book by Joe Hill and Gabriel Rodriguez which chronicled the vast mythology of supernatural keys and entities centered on a family in a small Massachusetts town.
Review: I have a love/hate relationship with Locke & Key. Plot: The Locke family uncovers more magic within Keyhouse, while a new threat - the most dangerous one yet - looms in Matheson with plans of his own for the keys.
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